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Formats and Standards Capabilities | SD NTSC/PAL | HD | | • Digital Betacam ¹ | • HDCAM SR¹ | | • Digital Betacam SX¹ | • D5¹ | | • XDCAM¹ | • HDCAM¹ | | • Betacam SP¹ | • XDCAM¹ | | • D5 / D2 (DVR-28/ 3 hrs)*¹ | • DVCPRO HD (2 hrs)¹ | | • DVCAM / MiniDV¹ | • HDV Sony & JVC¹ | | • DVCPRO (25/50 mbps)¹ | • File-based formats¹ | | • 1" Type C (Dolby)*¹ | • Cross transfers in | | • MII (enhanced version)*¹ | HD, and HD to SD | | • ¾"/SP/BVU¹ | with Closed Caption¹ | | • S-VHS & Digital-S (D9)*¹ | • Standards conversion | | • DVD & CD | (HD for PAL countries)¹ | | *NTSC only | ¹ Additional charges may apply | Digital Video File Formats
mp4, asf¹, avi¹, mpg¹, mov¹, swf¹, vob¹, wmv¹. Digital Audio File Formats
wav, mp3, dct (encrypted dictation), ra and rm (RealAudio), sri (VoiceIt), dss (Olympus, Lanier and Grundig), au, aif, msv, dvf, mp2, vob, vox, compressed wav (including PCM, uLaw, ALaw, ADPCM, CELP, SBC, Windows Media, DSP TrueSpeech, GSM 6.10), Philips Digital Recorder format, Sanyo Digital Recorder format.
If you have a format other than the ones listed, please call beforehand to see if we can accommodate your project.
We recommend that you use a HiFi Stereo VHS deck in SP mode. Dubs in SLP or EP often result in your audio being classified as Type 2 because of the poor audio quality.
For timecode projects we require a timecode window on the screen. If needed, we can add timecode window from tapes.¹
We request that you do not send your masters unless absolutely necessary. Although we take precautions to protect and handle all material as highly confidential and valuable, we ask that you submit materials that are of zero ($0.00) commercial value as we will not be responsible for lost or damaged tapes.
¹ Additional charges may apply. Categories | Turnaround Time | Discounts | Formats Accepted | Submission Form
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